Critical Correspondence

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Critical Correspondence: Dance and the Museum

In 2013, Critical Correspondence initiated a project dedicated to the examination of dance in the museum today–its politics, economics, and aesthetics. Acknowledging a long history of cross-pollination between dance and the visual arts–some driven by artists, some by institutions–our hope is to create a forum, based in a dance institution, for the voices of those [...]

The Herko Dialogues: Kyle Bukhari and Yve Laris Cohen in Conversation

  On October 27, 1964, Fred Herko, dancer, choreographer and founding member of Judson Dance Theater, leapt to his death from a fourth story window in the West Village, while listening to Mozart’s Requiem. Or perhaps it was another piece of music. And maybe it wasn’t the fourth floor. Beyond the fact of his suicide, [...]

The Herko Dialogues: Fred by Claudia and Jillian

  On October 27, 1964, Fred Herko, dancer, choreographer and founding member of Judson Dance Theater, leapt to his death from a fourth story window in the West Village, while listening to Mozart’s Requiem. Or perhaps it was another piece of music. And maybe it wasn’t the fourth floor. Beyond the fact of his suicide, [...]

The Herko Dialogues: Adrienne Edwards and Jen Rosenblit in Conversation

  On October 27, 1964, Fred Herko, dancer, choreographer and founding member of Judson Dance Theater, leapt to his death from a fourth story window in the West Village, while listening to Mozart’s Requiem. Or perhaps it was another piece of music. And maybe it wasn’t the fourth floor. Beyond the fact of his suicide, [...]

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From the CC editors

Please welcome new editor Biba Bell who will be joining Will Rawls as co-editor of Critical Correspondence. Abigail Levine will move on to an Editor-at-Large role to continue to contribute content to both the Dance and the Museum project and the University Project. The CC editorial team is committed to diverse forms of writing that engage with the ephemeral nature of performance. In the coming year, we will concentrate discussion around dance's encounters-with other artistic practices, theoretical and political frames, and institutions-to provide space and structure to engage, debate, and consider the effects and possibilities for the field. We invite submissions that imaginatively and critically examine the processes and histories of artists and communities in the U.S. and abroad. 

Critical Correspondence is a web-based publication of Movement Research that provides a forum for diverse engagements with artistic practice, research, and the contexts that surround the field of dance. Utilizing the flexibility of a digital platform, Critical Correspondence publishes timely and in-depth content in multiple formats, including interviews, experimental and scholarly writing, podcasts and video projects. Edited by a rotating team of artists, the publication aims to foster discourse and increase the visibility of dance and movement-based forms in larger artistic and cultural conversations.

Editors:
Biba Bell
Will Rawls

Editor-at-Large:
Abigail Levine

Interns:
Florence Nasar
Meg Weeks

Former Editors:
Abigail Levine, Nicole Daunic, Aaron Mattocks, Marissa Perel, Lydia Bell, Ursula Eagly, Milka Djordjevich, Levi Gonzalez, Alejandra Martorell

To contribute or propose an interview, research project or other form of writing, please contact us. In keeping with Movement Researchs mission, we are especially interested in writings that explore an artistic process over time, with the understanding that we are using the term process in its widest possible definition.

cc@movementresearch.org

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