Critical Correspondence

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Critical Correspondence: Dance and the Museum

In 2013, Critical Correspondence initiated a project dedicated to the examination of dance in the museum today–its politics, economics, and aesthetics. Acknowledging a long history of cross-pollination between dance and the visual arts–some driven by artists, some by institutions–our hope is to create a forum, based in a dance institution, for the voices of those [...]

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Flavia Meireles in Conversation with Abigail Levine

Flavia Meireles created Temas de Dança (Themes in Dance) because of an itch she could no longer ignore. Teaching a university-level course in dance history, she came to feel that dance history was a contradiction in terms. How could the traditional historical archive be expanded to include the temporal and experiential foundations of dance? Her [...]

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Cathy Weis in Conversation with Biba Bell

WeisAcres, located in a historic Soho co-op at 537 Broadway and home to a stable of seminal choreographers and visual artists for the past four decades, has recently re-emerged as a space for performance and communion with Cathy Weis’ Sundays on Broadway series. I recently sat down with Cathy to discuss the trials and tribulations [...]

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Molissa Fenley in Conversation with Richard Move

Interview date: November 24, 2014   Molissa Fenley, whose choreography has been an important element in the fabric of New York City dance since she formed her company, Molissa Fenley and Company, in 1977, sits down with Richard Move to discuss her oeuvre. A vast body of work that extends across multiple decades and geographies, [...]

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From the CC editors

Please welcome new editor Biba Bell who will be joining Will Rawls as co-editor of Critical Correspondence. Abigail Levine will move on to an Editor-at-Large role to continue to contribute content to both the Dance and the Museum project and the University Project. The CC editorial team is committed to diverse forms of writing that engage with the ephemeral nature of performance. In the coming year, we will concentrate discussion around dance's encounters-with other artistic practices, theoretical and political frames, and institutions-to provide space and structure to engage, debate, and consider the effects and possibilities for the field. We invite submissions that imaginatively and critically examine the processes and histories of artists and communities in the U.S. and abroad. 

Critical Correspondence is a web-based publication of Movement Research that provides a forum for diverse engagements with artistic practice, research, and the contexts that surround the field of dance. Utilizing the flexibility of a digital platform, Critical Correspondence publishes timely and in-depth content in multiple formats, including interviews, experimental and scholarly writing, podcasts and video projects. Edited by a rotating team of artists, the publication aims to foster discourse and increase the visibility of dance and movement-based forms in larger artistic and cultural conversations.

Editors:
Biba Bell
Will Rawls

Editor-at-Large:
Abigail Levine

Interns:
Florence Nasar
Meg Weeks

Former Editors:
Abigail Levine, Nicole Daunic, Aaron Mattocks, Marissa Perel, Lydia Bell, Ursula Eagly, Milka Djordjevich, Levi Gonzalez, Alejandra Martorell

To contribute or propose an interview, research project or other form of writing, please contact us. In keeping with Movement Researchs mission, we are especially interested in writings that explore an artistic process over time, with the understanding that we are using the term process in its widest possible definition.

cc@movementresearch.org

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