classes and workshops
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february 2004

ongoing classes
Contact Improvisation
Jordan Fuchs
6:45-9:30pm  W 
Simone Forti Studio
Contact Improvisation is a partnering dance form. Skills such as rolling, releasing, giving and supporting weight, expanding range of spatial concentration, lifting, catching and falling help one move with and through gravity, share weight in motion and use momentum and flow in physical contact. These weekly classes, open to people of all levels of movement experience, are informed variously by the individual teaching artists.

K.J. Holmes
Sat 11am-1pm (Feb 7 - April 24)
Movement Research at Eden's Expressway
The Athletics of Intimacy, Improvisations
Classes combine skills and practices of Contact Improvisation, applications of Body-Mind Centering® and tutoring of somatic improvisational approaches in solo, duet (strong emphasis on partnering) and ensemble dancing. I am interested in the very physical, the very sensorial and the very imaginative, and in discovering new challenges and risks within our movement.


february classes
Juliette Mapp
February 3-26  T,Th  10am-12pm
February 3-24  T  6-8pm
Movement Research at Eden's Expressway
This class will work in depth on developing awareness of alignment patterns to better understand each dancer's unique movement potential and style. Class will be an opportunity to allow the body and mind to release and become aware of our pre-existing physical limitations in order to find greater movement range. Our warm-up will grow from internal structural and breath images to establish a consciousness in both the minute and grand details of dance. Class will conclude with a combination built to further increase awareness and freedom inside each student's own dancing.

Chrysa Parkinson
February 9-27  M,W,F  10am-12pm
Movement Research at Eden's Expressway
This class focuses on the possible relationships between technique and interpretation. The development of stylistic and expressive range is encouraged by a simple, function-oriented approach to movement, and by guiding participants to expose their imaginations physically. Improvisational exercises are used as an approach for exploring technical and expressive possibilities.

Gwen Welliver
February 17, 19, 24, 26  T,Th  10am-12pm
Danspace Project
This warm-up and movement class will develop from simple skeletal mobility sequences to full-out, spatial movement forms. Emphasis will be placed on the joints, examining how their range of motion relates to alignment, support, weight and choices within your full out dancing. The class will culminate in phrase work and traveling sequences.

february workshops
Mark Lorimer
February 9-13   M-F   10am-12pm
$ 110
Panetta Movement Center, 214 W. 29th St, #1001
This workshop will explore some of the structural systems used in the work of Rosas/Anne-Teresa De Keersmaeker. The work will focus on manipulating phrase material with time. The systems oblige the dancer to work creatively through a mathematical structure with the ultimate goal of transcending the restrictions of the rules to develop the dance. The material itself is in many ways unimportant to the study (since the ideas could be applied to a variety of movement material) but the short starting phrases will come from "Rain" and "Amor Constante Mas Alla Dela Muerte" with possible opportunities for participants to include their own 'basic phrase' material.

Deborah Hay
February 16-20, 23-27 M-F 10am-12pm
$ 200, 2-week workshop
Panetta Movement Center, 214 W. 29th St, #1001
Experimentalism: By asking really big questions, ones that make answers seem dilettantish, we set in motion our bodies as laboratories. Here is where learning without thinking becomes possible. A set of conditions, which could be called the experiment, with materials such as time, space, and real and/or imagined feedback, collectively and individually guides each dancer. We will use the choreographic structure that engaged the dancers in The Match, a quartet that will be performed at Danspace Project, Feb. 5 - 8, 2004, as the form for our experiments.
This workshop was funded, in part, by the National Endowment for the Arts as part of our 25th Anniversary Celebration Season.